I presented “Y Sin Embargo Te Quiero (And Yet I Love You) Economic Policy Encoded in the Consumption of Used Garments” Secondhand Cultures in Unsettled Times Symposium, June 15-16, 2021 School of Journalism, Media & Culture, Cardiff University, Wales. The article this presentation came from is here: https://www.tandfonline.com/doi/full/10.1080/14759756.2021.1909207 The presenattion is here: This research involves an onsite ethnographic study and interview of the designers of the Clandestina fashion brand in Havana, Cuba. The Clandestina label creatively capitalizes on a commodityRead more
Posts filed in: fashion sustainability
Design Engagements in Puebla, Mexico
I recently had the pleasure of giving two lectures and visiting leading design schools in Puebla City, Mexico. The first lecture: “El Paisaje de la Moda Canadiense y la Investigación de Sostenibilidad de la Moda” was held on March 26, 2019 at the School of Design at Ibero University. I talked (in Spanish) to the students in the textile design program about my recent research in Oaxaca, as well as discussed fashion sustainability in the Canadian context. The students askedRead more
The Ruins at Mitla, a Legacy of Proto Surface Design
On the advice of friends from the weaving community of Santa Ana del Valle, I visited the Zapotec architectural ruins at Mitla, about an hour from Oaxaca City, Mexico. Like many legacies of pre-Hispanic cultures much of the site was taken apart and used to build new buildings that supported the visual supremacy of conquering forces. What is significant however is what has been left. The walls of the ruins are made of decorative repeating motifs, or “grecas” in Spanish.Read more
Visiting the Studios of Zapotec Weavers in Santa Ana del Valle, Oaxaca, Mexico
Carpets woven in Mexico today use design elements found at historical sites in the vicinity of their manufacture, and local indigenous weaving techniques function within an unbroken line of traditional familial wisdom. The weaving culture of the Zapotec Nation of Oaxaca now exists at the juncture of multivalent competing visual, economic and cultural mediators, which makes for a compelling case study to examine the impacts of globalization, as well as the preservation of creative and cultural autonomy. Textile weaving isRead more
Natural Dye Intensive: San Bartolo Coyotepec, Oaxaca, Mexico
In February of 2019 I participated in a natural dye intensive taught by sustainable fashion designer and master dyer Nereida Bonmati of Naive Slow Fashion, at the Tlapanochestli Grana Cochinillia in San Bartolo Coyotepec, Oaxaca, Mexico. During this fascinating and academically rigorous engagement with the practical application of natural dyes I learned about the following natural dyestuffs: pericone; brazilwood; huizache; cochineal; and añil (indigo). I also learned about the history of natural dyeing in Mexico, the history of cochineal (preRead more
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