Nomenclature in Fashion Sustainability Research

sus·tain·a·bil·i·ty səˌstānəˈbilədē/ noun the ability to be maintained at a certain rate or level. “the sustainability of economic growth” avoidance of the depletion of natural resources in order to maintain an ecological balance. “the pursuit of global environmental sustainability” Sustainability; Ethical consumption; Greenwash; Responsible consumption; Organic clothes; Environment; Free trade; Neoliberal economic paradigm; Global apparel industry; Trade policy; Labor markets, Trade liberalization, Green textiles After a read through the available contemporary literature and research, the discourse around fashion sustainability as a whole seems to beRead more

Holocaust Chic: Homophobia, Anti-Semitism and Abject Fashion Marketing. Mark O’Connell

Holocaust Chic: Homophobia, Anti-Semitism and Abject Fashion Marketing @Mark O’Connell 2017, no reproduction without permission “ I hate the word Homophobia. It’s not a phobia. You are not scared. You are an a**hole” Morgan Freeman, Twitter, 2014. Contemporary media engagement results in the constant barrage of information and marketing that is funneled through the myriad channels that stream into devices and apps and into our consciousness. The ability for cognitive registration of any particular item becomes more and more andRead more

Captive Animals

“Speed and efficiency are not in themselves signs of intelligence or capability or correctness. They do not carry with them any moral value. They don’t necessarily make any social contribution. The most horrifying, violent moments of the twentieth century have centered around regimes wedded to efficiency and to speed” (John Ralston Saul, 2013: 260). “Born Ready” @Mark O’Connell 2017 Michael Snow’s flock of Canada Geese perpetually take flight, their frustrated bid for freedom encased in a great glass ceilinged atriumRead more

Frankly Scarlet: Representations of St. Mary Magdalen Through the Italian Renaissance

Abstract: Within Christian iconography there has been a standard representation of scenes from the life of Christ. The main female figure in these scenes is Mary: Jesus’ mother, an archetypal maternal signifier. In addition to an otherwise mostly male visual narrative there is an inclusion of another woman who represents a younger, more worldly, archetype, and that is the figure of Mary Magdalen. An amalgamation of three different women in the biblical narrative, her pictorial representation was reduced to aRead more

Fashion Sustainability Principles and Definitions

There is an art that kills and an art that gives life. The fine fabric that we import from the West or the Far East has literally killed millions of our brothers and sisters, and delivered thousands of our dear sisters to a life of shame. True art must be evidence of happiness, contentment and purity of its authors (Gandhi 1929). Value and fashion. Fashion used to be very valuable, now it is treated like garbage-to-be. Luxury is not luxuriousRead more

The Ontology and Materiality of Fashion  

Everybody knows that the boat is leaking Everybody knows that the captain lied Everybody got this broken feeling Like their father or their dog just died Everybody’s talking to their pockets Everybody wants a box of chocolates And a long-stem rose Everybody knows Leonard Cohen, Everybody Knows I recently purchased a pair of pants. They are a slim-fit dark denim, tight jeans with a bit of a stretch. I liked the way they make my body look when I triedRead more

Second Hand News: Cultural and Economic Messages Encoded in the Consumption of Used Garments

Second Hand News: Cultural and Economic Messages Encoded in the Consumption of Used Garments Mark O’Connell@2015 no reproduction without permission Velvet fragments with Medici arms, 1440–1500 http://www.metmuseum.org/toah/works-of-art/46.156.118 ABSTRACT: Adoption and re-use of textiles and garments has been practiced by all textile-producing cultures. The manner of consumption of second hand clothes has been dictated and redefined by cultural directives specific to where the practice was taking place. Prevailing cultural, classist and economic factors can change how a second-hand garment will beRead more

Set Dressing: Courbet’s “L’Atelier du Peintre” and the Power of Fashion

“Studio Dressing: Courbet’s ‘L’Atelier du Peintre’ and the Power of Fashion” Gustave Courbet : “L’Atelier du Peintre. Allégorie Réelle Déterminant une Phase de Sept Années de ma Vie Artistique (The Artist’s Studio. A Real Allegory of A Seven-Year Phase of My Artistic Life)” (1855), Collection Musée D’Orsay, Paris. “I have studied, outside any system and without prejudice, the art of the ancients and the art of the moderns. I no more wanted to imitate the one than to copy the other;Read more

From Versailles to the Ganges, Dress as a Form of Sartorial Nationalism

From Versailles to the Ganges, Dress as a Form of Sartorial Nationalism, Mark O’Connell@2015 No Reproduction without permission “We should not ask ‘what is a nation’ but rather […] How does nation work as a practical category, as classificatory scheme, as cognitive frame? What makes the use of that category by or against states more or less resonant or effective? What makes the nation-evoking, nation-invoking efforts of political entrepreneurs more or less likely to proceed” Rogers Brubaker quoted in: PatriotsRead more

Glamour is Not Gamine

Glamour is not Gamine: Thoughts on the Construction of Modern and Historical Glamour ”Adorned with the most modern artifices, beautified according to the newest techniques, she comes down from the remoteness of the ages, from Thebes, from Crete, from Chichén-Itzá; and she is also the totem set up deep in the African jungle; she is a helicopter and she is a bird; and there is this, the greatest wonder of all: under her tinted hair the forest murmur becomes aRead more