“Hélio Oiticica: To Organize Delirium” at the Whitney

Had the great pleasure to view the superb exhibition “Hélio Oiticica: To Organize Delirium”, which is a retrospective of the of the work of the late Brazilian artist and designer Hélio Oiticica, on at the Whitney. The exhibition is the first comprehensive U.S. retrospective of the Brazilian artist’s oeuvre in the past two decades. Oiticica (1937—1980) is described on the exhibition website as “One of the most original artists of the twentieth century (who) made art that awakens us to our bodies,Read more

Stolen Goods: Plagiarism and Fashion Scholarship

“Arsenic Dress”: English or French, c. 1860s The Fashion Research Collection at Ryerson University. Gift The Racked website, recently published a piece on toxic clothing that appears to be an unattributed reproduction of a body of work by Ryerson University fashion scholar Dr. Alison Matthews David. The Racked post even includes a photo of the arsenic dress from the popular “Fashion Victims” exhibition at the Bata Shoe museum in Toronto that Matthews David and Bata head curator Elizabeth Semmelhack co-curated. http://www.batashoemuseum.ca/fashion-victims/Read more

Second Hand News: Cultural and Economic Messages Encoded in the Consumption of Used Garments

Second Hand News: Cultural and Economic Messages Encoded in the Consumption of Used Garments Mark O’Connell@2015 no reproduction without permission Velvet fragments with Medici arms, 1440–1500 http://www.metmuseum.org/toah/works-of-art/46.156.118 ABSTRACT: Adoption and re-use of textiles and garments has been practiced by all textile-producing cultures. The manner of consumption of second hand clothes has been dictated and redefined by cultural directives specific to where the practice was taking place. Prevailing cultural, class-based and economic factors can change how a second-hand garment will beRead more