“Browsing the Virtual Boutique with Baudrillard: The New Realities of Online, Device-Based, Fashion Design & Consumption” (2021)

I have a new article “Browsing the Virtual Boutique with Baudrillard: The New Realities of Online, Device-Based, Fashion Design & Consumption” (2021) being published in the special publication: the 3rd Special Issue: In Pursuit of Luxury Journal in collaboration with the Journal of Design, Business & Society.  Abstract Contemporary engagement with fashion is with slick simulacra, daydreams, and digital fantasies; an impossible promise of a beautiful, de-corporealized perfection. The virtualizing of fashion consumption has in turn dematerialized garments completely. Although late to the party, the consumerRead more

Rich Relations: The Evolution and Uneasy Symbiosis of Art and Fashion

From its earliest roots, art was used to codify and communicate what is fashionable, powerful and luxurious. Recently, however, through institutional mega art projects like the Fondation LV and the Fondazione Prada, fashion seeks not just to legitimize itself, but to position itself as patron-cum-collaborator. Up until now the art world has been happy to take the money, but has been ambivalent towards the commercialization that co-branding brings. However, as the highest grossing exhibits at hallowed cultural institutions – like the McQueen retrospective at the Met – have been fashion based. It seems, as of late, the fashion industry has gone past sponsorship and now seems to be colonizing the environs of the art world itself. These new imbrications hold significance for a broad range of related topics such as creative appropriation, feminist theory, and issues of gendered representation and power. As such, the politics of criteria for inclusion and collection must now become a necessary aspect of the dialogue within fashion, art and museum studies, and the thinking that situates them as discrete entities that exist within autonomous domains irrelative to each other also needs to be challenged. This article explores the cartography between autonomous art culture, fashion marketing, and fashion exhibition, and the increased blurring of their overlapping borders. It also looks at the commercialization of the museum and fine art institutional domain.Read more