Design Engagements in Puebla, Mexico

I recently had the pleasure of giving two lectures and visiting leading design schools in Puebla City, Mexico. The first lecture: “El Paisaje de la Moda Canadiense y la Investigación de Sostenibilidad de la Moda” was held on March 26, 2019 at the School of Design at Ibero University. I talked (in Spanish) to the students in the textile design program about my recent research in Oaxaca, as well as discussed fashion sustainability in the Canadian context. The students askedRead more

“Items: Is Fashion Modern?” at the MOMA

Visited the “Items: Is Fashion Modern” Exhibition at MOMA which is described on the museum website as an exhibit that “explores the present, past—and sometimes the future—of 111 items of clothing and accessories that have had a strong impact on the world in the 20th and 21st centuries—and continue to hold currency today”. Some of these items are of modern vintage like Levi’s 501s, the Breton shirt, and “the Little Black Dress”, and there also ancient and “culturally charged” items likeRead more

Second Hand News: Cultural and Economic Messages Encoded in the Consumption of Used Garments

Second Hand News: Cultural and Economic Messages Encoded in the Consumption of Used Garments Mark O’Connell@2015 no reproduction without permission Velvet fragments with Medici arms, 1440–1500 http://www.metmuseum.org/toah/works-of-art/46.156.118 ABSTRACT: Adoption and re-use of textiles and garments has been practiced by all textile-producing cultures. The manner of consumption of second hand clothes has been dictated and redefined by cultural directives specific to where the practice was taking place. Prevailing cultural, classist and economic factors can change how a second-hand garment will beRead more

Set Dressing: Courbet’s “L’Atelier du Peintre” and the Power of Fashion

“Studio Dressing: Courbet’s ‘L’Atelier du Peintre’ and the Power of Fashion” Gustave Courbet : “L’Atelier du Peintre. Allégorie Réelle Déterminant une Phase de Sept Années de ma Vie Artistique (The Artist’s Studio. A Real Allegory of A Seven-Year Phase of My Artistic Life)” (1855), Collection Musée D’Orsay, Paris. “I have studied, outside any system and without prejudice, the art of the ancients and the art of the moderns. I no more wanted to imitate the one than to copy the other;Read more

From Versailles to the Ganges, Dress as a Form of Sartorial Nationalism

From Versailles to the Ganges, Dress as a Form of Sartorial Nationalism, Mark O’Connell@2015 No Reproduction without permission “We should not ask ‘what is a nation’ but rather […] How does nation work as a practical category, as classificatory scheme, as cognitive frame? What makes the use of that category by or against states more or less resonant or effective? What makes the nation-evoking, nation-invoking efforts of political entrepreneurs more or less likely to proceed” Rogers Brubaker quoted in: PatriotsRead more